Elbert Hubbard's Editor at the Roycroft
I have found Roycrofter Felix Shay's book Elbert Hubbard of East Aurora to be a wonderful volume of stories and details about life on the Roycroft Campus. One detail I was relieved to discover was that Elbert had an editor. He wrote SO much I was beginning to think he was super human. It is nice to learn about the people that made it possible for Elbert to produce so much. Here is the excerpt on his editor:
"For a round dozen years, Hoyle was the Man-behind-the-scenes. He was the “technical editor” for the three Roycroft publications: The Philistine, The Fra, and Little Journeys - or whatever you care to call him. Hubbard leaned on him, depended on him, had faith in him. Hoyle was the Human Encyclopedia. He knew everything; and what he didn’t know he knew how to find out.
Hubbard was a rapid, voluminous writer. Most of his copy was written in lead pencil, with interlines, and marginal notes, corrected and re-corrected. Much of it was turned over to Hoyle as-is, to be prepared for the press. Many times Hubbard never saw his stuff from the time he released the manuscript until the printed page was placed in his hands.
To follow after Hubbard, to understand every historical reference, to grasp his thought and his meaning perfectly, to know exactly when he was serious and when he was joking, to sense the odd manner in which certain words were to be spelled or misspelled, required a fine feeling of fellowship, and extra-special brains. (To wit: “I will arise,” said the famished Prodigal, “and go to my fodder.”)
Hoyle had both, together with devotion to the task. He was not one of the most conspicuous members at the Roycroft, but he was one of the most necessary.
He abominated an error, and there were few of them - few! T'was a job for a smart and learned and a loyal man - and I am glad for the opportunity to pay him this tribute."
- Felix Shay,
Author of Elbert Hubbard of East Aurora
excerpt from page 505, hardcover Roycroft printed version

Fournier used the lovely view as his inspiration for Peace, one of his most famous paintings at the Roycroft. The blossoms and birds are bathed in spring light, while the flock soaks up the warm sun.




